Laird Scranton is an independent software designer who became interested in Dogon mythology and symbolism in the early 1990s. He has studied ancient myth, language, and cosmology since 1997 and has been a lecturer at Colgate University. He also appears in John Anthony West’s Magical Egypt DVD series. He lives in Albany, New York.
Laird Scranton investigates the myths, symbols, and traditions of prehistoric China, finding fundamental similarities between Chinese cosmology and that of other creation traditions. These cultural symbols reveal that there was a sophisticated scientific understanding in ancient times that has a direct correlation to our modern scientific discoveries, and suggests that the cosmology of all ancient cultures arose from a single now-lost source.
Why do the Dogon of Africa and the cultures of ancient Egypt, India, Tibet, and China share strikingly similar myths and sacred symbols? Laird Scranton makes the case that the archaeological complex at Gobekli Tepe is the definitive point of origin from which all the great civilizations of the past inherited their cosmology, esoteric teachings, and civilizing skills.
Worlds in Collision introduced the theory that Venus began as a brilliant comet ejected by Jupiter around 1600 BCE. Laird Scranton presents evidence from recent space probe missions and ancient texts that uphold Velikovsky’s controversial theories.
Do ancient systems of myth and symbol descend from one common cosmological plan? Laird Scranton identifies the signature attributes of a theoretic ancient parent cosmology and makes the case that cosmology may have engendered civilization, not the other way around.
Using Dogon symbols as a “Rosetta stone,” Laird Scranton reveals references within the ancient Egyptian language that correlate to a wide range of modern scientific components of matter. The author’s findings provide an entirely new understanding of Egyptian hieroglyphs--that they were scientific symbols based on Dogon cosmological drawings.
The myths of the Dogon people of Mali, West Africa, bear a striking resemblance to modern scientific definitions of matter. Scranton’s comparison of Dogon descriptions to scientific models from authors like Stephen Hawking and Brian Greene, also reveals similarities between Dogon symbols and those of the Egyptian and Hebrew religions.