The Science of the Dogon

Decoding the African Mystery Tradition
By (author) Laird Scranton
Foreword by John Anthony West

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The Science of the Dogon
Decoding the African Mystery Tradition
By (author) Laird Scranton
Foreword by John Anthony West

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Pages : 224

Book Size : 6.00 x 9.00

ISBN-13 : 9781594771330

Imprint : Inner Traditions

Release Date : September 22, 2006

Format : Paperback Book

Illustrations : 17 b&w illustrations

The myths of the Dogon people of Mali, West Africa, bear a striking resemblance to modern scientific definitions of matter. Scranton’s  comparison of Dogon descriptions to scientific models from authors like Stephen Hawking and Brian Greene, also reveals similarities between Dogon symbols and those of the Egyptian and Hebrew religions.
Description

About The Science of the Dogon

A look at the close resemblance between the creation and structure of matter in both Dogon mythology and modern science

• Reveals striking similarities between Dogon symbols and those used in both the Egyptian and Hebrew religions

• Demonstrates the parallels between Dogon mythical narratives and scientific concepts from atomic theory to quantum theory and string theory

The Dogon people of Mali, West Africa, are famous for their unique art and advanced cosmology. The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the informed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone.

The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.
Excerpt

Book Excerpt


from Chapter 6

Dogon Parallels to the Big Bang and Atomic and Quantum Structure


In the previous chapter, I demonstrated many superficial resemblances between the surface narrative of the Dogon creation story and the Big Bang theory of science. One of the primary functions of the surface storyline of the Dogon is to serve as a kind of mask for a more detailed body of knowledge contained within the deeper storyline. Therefore, if we are on the right track with our interpretation of Dogon symbols from the surface storyline, we should expect to find even more specific and recognizable details of the Big Bang theory incorporated into the deeper storyline of the Dogon creation story. When we carefully examine the elements of the deeper storyline, this is exactly what we find.

For the Dogon, the starting point for the deeper storyline is Amma’s egg--the unformed universe that contained all of the seeds or signs of the world. According to Dogon mythology, it was the opening of this egg that created all of the spiraling galaxies of stars and worlds. This concept of the origin of the universe conforms nicely to the prevailing theories of astrophysics, which define the unformed universe prior to the Big Bang as a kind of ball containing all of the potential matter of the future universe compressed to an unbelievably dense state. Accordingly, it was the rupturing of this ball that ultimately scattered matter as we now know it to the farthest reaches of the universe.

According to most astronomers, the “perfect unity that existed at the moment of the Big Bang”--science’s equivalent of Amma’s egg--represented a singularity, like what we now know as a black hole. Stephen Hawking describes the concept of a black hole in the following way in A Brief History of Time:

According to the theory of relativity, nothing can travel faster than light. Thus if light cannot escape, neither can anything else; everything is dragged back by the gravitational field. So one has . . . a region of space-time from which it is not possible to escape to reach a distant observer. . . . Its boundary is called the event horizon and coincides with the paths of light rays that just fail to escape from the black hole.

The diagram provided by Hawking to describe this event horizon--the path of the light rays that are unable to leave the black hole--is in most respects the very image of the Dogon stone representing Amma’s egg.

In many early mythologies, such as those of Hermopolis in Egypt and the Maori of New Zealand, the original creation of the universe is linked to the opening of an egg. The first entities to emerge after the moment of creation are the familiar triad of gods that we previously associated with the three physical states of water. Scientists believe that the plasma that emerged from the Big Bang was intensely hot and cooled rapidly to the near-zero temperature that we now see in the vacuum of space.

Astronomic theory explains that the first finished by-product of this cooling process after the Big Bang was the atom, and more specifically the hydrogen atom--the Dogon surface storyline’s counterpart to the Nummo. Again, if our understanding of the structure of the Dogon religion is correct, we would expect the deep creation storyline to include specific information about the atom and its constituent components, and again in fact it does. 

For the Dogon, the po is the name of the “smallest grain” and represents one of the tiniest building blocks of the universe: the nucleus of an atom. Dogon descriptions of the po at the opening of Amma’s egg, forming like a central air bubble and scattering in a luminous motion, correlate well with scientific descriptions of the process of cooling of the quark-gluon plasma. When we suggest possible meanings for the Dogon symbols that are related to atomic structure, the idea is wholly and completely in keeping with how the Dogon understand their own symbols.

According to the Dogon, the po seed--already one of the most basic elements of creation--consists of four even more elemental components, referred to in combination as the sene seed. Marcel Griaule and Germaine Dieterlen say:

In this infinitely small thing [the sene] Amma then placed the four elements . . . The sene represents the first thing created by Amma . . . [Amma’s first act,] called “diagram of the sene seed,” connotes the superposition of the four elements in the formation of the seed . . . In accordance with Amma’s will, each of them extended its “germ” to touch its neighbor, from east to north, from north to west, etc. This “crossing of the germs” is compared to the intertwining of twigs forming a “nest,” senu. These germs then gathered at the center, where they mixed together and were transformed at the very site of the po, which was still invisible. Then, surrounding the seed, they made it visible . . .

This “crossing of the germs” in all directions is a very competent description aimed at a non-technical observer of the electrons in their crossing orbits surrounding an atom. These orbiting electrons, combined with their nucleus--the po--constitute a completed atom.

In The Pale Fox, Griaule and Dieterlen present a Dogon diagram of the sene seed that is a close match for typical scientific diagrams showing normal electron density and electron orbital shapes. Compare the scientific diagram reproduced below with the Dogon drawing beneath it.
Table of Contents

Table of content

Foreword by John Anthony West

Acknowledgments

Introduction


ONE   How This Book Came to Be

TWO   Themes of the Ancient Creation Stories

THREE   The Dogon Creation Story

FOUR   Dogon Symbols and Meanings

FIVE   Dogon Parallels to the Big Bang and Atomic and Quantum Structure

SIX   Dogon Parallels to String Theory

SEVEN   Dogon Parallels to Egyptian Mythology

EIGHT   Dogon Parallels to Genetics and Sexual Reproduction

NINE   Archaeology and Dogon Symbols

TEN   Judaism and Dogon Symbols

ELEVEN   The Dogon Concept of Light

TWELVE   Global Signs of the Serpent Religion

THIRTEEN   Fall of the Serpent Religion

FOURTEEN   Conclusion

Notes

Bibliography

Index
Author Bio
Laird Scranton is an independent software designer who became interested in Dogon mythology and symbolism in the early 1990s. He has studied ancient myth, language, and cosmology for nearly 10 years and has been a lecturer at Colgate University. He also appears in John Anthony West’s Magical Egypt DVD series. He lives in Albany, New York.
Reviews

Reviews

Book Praise

Book Praise

“The Dogon creation myth reflects the nuances of cutting-edge scientific cosmology, and finally this is being recognized. A quintessential read for anyone wishing to learn the truth about this fascinating subject.”
Andrew Collins, author of From the Ashes of Angels

The Science of the Dogon decodes the opaque symbols of Dogon creation myth with great ingenuity backed by solid scholarship. Highly recommended.” 
Ida P. Moffett, editor and copublisher of The Pale Fox

The Science of the Dogon takes the study of the ancients to an exciting new level. Laird has cracked the visual code of the Dogon, and his explanations are thoroughly supported.” 
William Henry, author of Egypt: Stargate Discoveries video series and guest host of “Dreamland” with Whitley Strieber

". . . anyone who is remotely interested in our ancient past, ancient myths and traditions, and even how religion might enter into all this, will find Scranton's work intriguing."
The Messenger, Jan 2007

"The author makes a convincing case for some intervening force in ancient times that left extremely important clues to their existence with the prevailing natives, knowing perhaps that someday someone would be aware of their presence."
W. Ritchie Benedict, New Dawn, May-June, 2007

"Enjoyable reading and a hands-on educational approach make this book very enjoyable. Readers will find the conclusion about the Dogon way exciting reading."
Lee Prosser, Ghostvillage.com, Aug 2007

"The implications that are posited in Scranton's book are nothing short of earthshaking, considering that the Dogon appear to have gained these sophisticated insights through some sort of sixth sense.
" . . . The Science of the Dogon should prove to be a revolutionary force, especially with regard to integrating the Dogon cosmological vision into our own lives."
Jaye Beldo, Mysteries Magazine, Issue #18, Fall 2007


" . . . superb scholarly book, which gives overwhelming support to the O'Brien thesis of a single benevolent advanced source for civilization."The Golden Gate Project, Feb 2008

"Scranton is a lucid writer who articulates both scientific and cosmological concepts exceedingly well, and is transparent in his methodology. He amply demonstrates the skill set to perform such a demanding analysis, and I hope he continues further with his work."
Eric K. Lerner, Ashè Journal, April 2009


“The whole text reveals striking similarities between Dogon symbols and those used in both the Egyptian and Hebrew religions, with amazing implications for the history of civilization. The material is an advance on the revelations that made Robert Temple’s The Sirius Mystery an international bestseller.”
Mysteries of Sirius, October 2013
Back Cover

Back Cover Copy

ANCIENT MYSTERIES / AFRICAN STUDIES

“The Dogon creation myth reflects the nuances of cutting-edge scientific cosmology, and finally this is being recognized. A quintessential read for anyone wishing to learn the truth about this fascinating subject.”
--Andrew Collins, author of From the Ashes of Angels

The Dogon people of Mali, West Africa, are famous for their unique art and advanced cosmology. The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the unformed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone.

The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.

LAIRD SCRANTON is an independent software designer who became interested in Dogon mythology and symbolism in the early 1990s. He has studied ancient myth, language, and cosmology for nearly ten years and has been a lecturer at Colgate University. He also appears in John Anthony West’s Magical Egypt DVD series. He lives in Albany, New York.

 

Pi Gu Chi Kung