Tears from the Mother of the Sun

A Secret History of the World

Illustrated by Amruta Patil
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  • Pages: 256
  • Book Size: 6.00 x 9.00
  • ISBN-13: 9798888501825
  • Imprint: Inner Traditions
  • On Sale Date: January 27, 2026
  • Format: Hardcover Book
  • Illustrations: Full-color throughout
Esoteric legends that track history across multiple continents and planes of existence

Pir Zia presents an astonishing sequence of legends revealing connections between ancient cultures and spiritual lineages. Written as a novella interspersed with metered quatrains, in the tradition of medieval Persian belles-lettres, he synthesizes ancient mythologies to resacralize the human experience. This book features paintings by Amruta Patil of myths including Sita, Yggdrasil, the Minotaur, and Quetzalcoatl.

Runes and the Gods Oracle

• Synthesizes ancient mythologies across time, space, and cultures to resacralize the human experience

• Written as a novella interspersed with metered quatrains in the tradition of medieval Persian belles-lettres

• Includes full-color paintings of key figures and motifs, including Sita, Yggdrasil, the Minotaur, Quetzalcoatl, and the Three Marys

In this globe-spanning chronicle, Pir Zia Inayat Khan, leader of the Inayatiyya, sets forth an astonishing sequence of legends revealing little-known connections between ancient cultures and spiritual lineages.

Framed as a dialogue between the Iranianepic poet Firdausi and his tutelary daimon, this novella follows the tradition of medieval Persian belles-lettres in which prose passages are punctuated with metered verses. The daimon reveals to the hitherto depressed poet the inner history of the world as reflected in the missions of a succession of sages moving through Earth’s lands and ages. Readers will learn of the creation of the universe, the war of the angels and the jinns, the exile of Adam and Eve, and the deeds of Melchizedek and Enoch. They will also explore the rise of the Nephilim, the advent of ancient civilizations, the origins of the Abrahamic faiths, and the history of the Grail and Emerald Tablet. Beautiful paintings by Amruta Patil bring the legends to life.

The cumulative effect of the traditions synthesized here is a resacralization of the human experience across time, space, and cultures, achieved through an unexpected marriage of myth and history.
The Hosts of Heaven

The angels were the first creatures. The foremost angels are called “the near ones.”* They have never ventured far from the old fountainhead. It’s difficult to distinguish them from the background against which they move; they hardly know themselves. They murmur “Holy, Holy, Holy,” and then fall into a silence that lasts eons.

The later angels roamed farther. In those days there was space but no land, ocean, atmosphere, or stars. And so the angels flew in the emptiness of the void. They still fly there. When they meet, they glide through each other. The frisson of their touch is something exceedingly strange. Think of a hand lighter than air touching another.

Unlike yourselves we wear no mask,

Hence from us comes the perfect kiss.

If anyone should ever ask,

Then tell them that our touch is this.


Marij


After the angels came the jinns,* my people. If angels are light, jinns are fire. But our fire is not the fire you know; ours is cool and smokeless. We call it Marij.* It’s the proverbial garden in the midst of flames.

The realm of the angels is called Jabarut.* Jinndom is called Malakut.* Malakut has as many climates as your material Earth. At its center, Mount Qaf rises up from the dense world below and ascends to Jabarut above, culminating in a resplendent peak known as the Emerald Rock.

Among the angels, strife is unknown. With jinndom it begins. We take the view that, for all their jarring dissonances, our elaborate polyphonies outshine the naive monophonies of the angels. Granted, the point is debatable. In any case, it’s in our world that problems begin. And with them, novel prospects.

In Heaven’s lanes pure peace prevails,

While lower down, discord appears,

Since wanderers on jinnic trails

Are prone to ardent hopes and fears.

Your Earth is an annex of the jinnic world, just as our world is a purlieu of the angelic realm. For many of our folk, your territory repels more than it allures. The sheer weight of matter poses a predicament for us. Be that as it may, there are those who are fascinated by the grit of it all. Venturesome jinns migrated to the Earth before humans appeared. They took on diaphanes*—ethereal bodies—and reveled in the gusts and gales of the nascent planet. They are known as elementals.*

Among the rocks, gnomes* play their games

While undines* swim in azure lakes,

And salamanders* crawl through flames

As sylphs* ride breezes through the brakes.


Of Angels and Elementals

For a long time the Earth was only sea and storm. Then land reared up and verdure spread. The weather calmed and animals found homes in every nook and crevice of the globe. The elementals likewise swelled. As their numbers surged, alas, a faction became obstreperous and noxious. They bludgeoned their prophets, Amir and Saiq. A delegation of angels was dispatched to quell them, and was met with outrageous violence. Thus began the war of the angels and the elementals.

An angel finer than thin air

Is still a consequential foe;

Angelic light, a thing so fair,

Can fast become a blinding snow.

In the end, the wayward elementals were subdued and treaties were signed. The war was over. But let me not omit a significant detail. During the conflict, a precocious elemental boy lost his parents and came under the protection of the angels. Raised in the heavens, he came to be known as Iblis. So faithfully did he serve Heaven that he was awarded a diadem encrusted with a hundred-angled fragment of the Emerald Rock.


The Clayling

The Diwan discussed a newly arrived directive. A lush garden had sprung up in Jinnistan, an oasis of unrivaled elegance. It was to serve as the place of inception for a new kind of being. The archangels were instructed to bring a portion of clay from the Earth.

Alert to what was afoot, Iblis preceded them. He approached the Spirit of the Earth and planted in her mind a seed of fear.

When Gabriel arrived, Earth refused to cede him a piece of her substance. Michael, coming afterward, fared no better. Then Azrael came. He soothed Earth’s trepidation and obtained the needed clay. Azrael’s light touch won him the assignment, henceforth, of taker of souls. Just as Azrael took our clay from the Earth, so he will return it one day.

This clay we wear is not our own,

Its owner is the spinning globe.

Our flesh and bones are but a loan,

A transitory borrowed robe.

In the Garden, the clay brought by Azrael was molded into a form. The likes of that form had never been seen. Still, all who inspected it found it oddly familiar. The hallowed breath of the One poured into the lungs of the effigy and it arose with a start. Thus was born the Clayling, the first human being.


Paradise

The Garden was a place of almost unimaginable loveliness. Four crystalline streams meandered between perpetually blossoming stands of frangipani, mimosa, and champak. Each morning, birds of incandescent plumage warbled exhilarating hymns to the dawn. When the sun reached its zenith, zephyrs wafted through the bowered groves, perfuming the air with heartravishing balsam. At night, shimmering rays streaming down from Sirius, Canopus, and Arcturus intermingled in traceries of breathtaking intricacy. If paradise was anywhere, it was here. For all that, the Clayling was lonely.

A rosy plum is nectarous,

But sweeter is your dimpled face.

These flowering vines are decorous,

But I prefer your arms’ embrace.

Seeing the need, the Deity split the Clayling in half. Where there had been one epicene individual, there now stood a contrastingly gendered pair. Adam and Eve, they were named. At the same moment, the Garden quietly transplanted itself from the soil of Jinnistan to the ether-sediment of the Earth.


A Fateful Choice


Two strange trees grew in the Garden. The first, the Tree of Life, bore an ivory-colored fruit. The second, the Tree of Knowledge, produced a fruit red as blood. Eve and Adam were duly warned not to eat the vermilion fruit. Somehow, however, it was destined for them.

Iblis sent a serpent to tempt them. In truth, little persuasion was needed.

Had they eaten the fruit of the Tree of Life, they would have slept and awoken in the heaven of Illiyin.* As it was, with fingers and lips stained red, they opened their eyes in the mundane world, the valley of toil. The idyll of the Garden had run its course.

Your eye may wander to a fruit,

But pause before you take a bite.

Straight down from glory runs a chute;

Reflect upon the exile’s plight.

To be sent out of the Garden was a shock and a blow. Earth’s stark horizons and gaping chasms suggested intimations of menace. Huddled in a makeshift shanty, Adam and Eve brooded long over what had been given to them formerly, and what they had done.

The tears the pair shed became puddles, then pools. Animals came to drink at these watering holes. Whenever they met the weeping couple, they offered their sympathy and encouragement. In deference to the animals’ reassurance, Eve and Adam ceased their lamentations.

Day by day, a peculiar flame grew within their hearts. It was a flame of contrition, but also of enduring hope. Most of all, it was the shining sign of a devotion to the Deity that was now unquestionably earnest and sincere.

One day Gabriel and Michael arrived with the news that all was forgiven.

Do not forever live in shame;

Repair the breach, ablute, and pray.

Believe in the Forgiver’s name;

Tomorrow is another day.

A great vision was then given to the pair. On a vast plain they saw an almost limitless assembly of people, displaying every imaginable cast of face, tone of skin, and length of limb. At the center of the throng was the indescribable presence of the Deity. A question now rang out: “Am I not your Liege?” Intense light suffused the atmosphere. Without exception, every voice in the multitude responded, “Yes.”

Angels inscribed the covenant on an olive leaf and sealed it inside a black meteor. To memorialize the momentous event, Eve and Adam built a house of worship with the Black Stone as its hallowed centerpiece.
Prologue

The Deity

In the Beginning

The Hosts of Heaven

Marij

Of Angels and Elementals

Through a Glass Darkly

The Messenger

The Clayling

The Price of Pride

Paradise

A Fateful Choice

Perfect Nature Unveiled

Enochiana

Meteorites

Lapis Exilis

Forgotten Lands

A Foiled Plot

The Deluge

Towers and Caverns

Kemet

The Oak of Mamre

Order and Chaos

The Wooing of Shiva

He of the Horns

Dragonification

Ex Oriente Lux

Snakes and Ladders

The Hero Twins

The Gallows Tree

The Grail in Persia

Revolution

Iran and Turan

Daughter of Earth

Dark Allure

Solar Theology

Changing Fortunes

Visions

Trials on the Trail

The Folk of Danu

Erin

Houses at War

Westering

The Labyrinth

The Muse’s Son

The Temple

The Hoopoe Plays Cupid

The Cow’s Lament

The Music of the Spheres

Star Lady

Fragrant Mountain

Yunan, Iran, India

The Queen Mother of the West

The Mandate of Heaven

Burning Water

The Son of Man

The Three Marys

Balinus

Alexandria

Blood and Snow

A Grand Deception

Attainment

The Year of the Elephant

The Shining Lamp

Ascension

Sophia’s People

Epilogue

Glossary
Pir Zia Inayat Khan, Ph.D., is the leader of the Inayatiyya, a Sufi fellowship rooted in the mystical legacy of his grandfather, Hazrat Inayat Khan. He is the author of Mingled Waters: Sufism and the Mystical Unity of Religions and Immortality: A Traveler’s Guide.

Amruta Patil is a writer, painter, and India’s first female graphic novelist. She is the author of Kari, the Mahabharata-themed Adi Parva and Sauptik, and the Vedic ecofeminist parable Aranyaka.
“A breathtaking, fresh, and ancient mystical biography of the world. A hypnotic weave of words and images leads us to that twilight place where history meets mystery, and tale meets truth. A tour de force where words find their place on the page with sacred inevitability.” Arundhathi Subramaniam, poet and author of When God Is a Traveller

“A truly remarkable book of angelic magic unlike any other. Transcending cultures and time periods, it should be read by anyone on the quest for truth.” John and Caitlin Matthews, authors of The Lost Book of the Grail

“A deep dive into a history of the world that seems more real than the received histories of victors, of ideologues and politicians. These are stories amplified by art; this is art responding to the depths of our common heritage. This book reminds us: we were stories before we came here, we are now acting out our stories, and we will be stories when we are gone. This one is to be read again and again, for each reading will bring new meanings and new illuminations.” Jerry Pinto, poet and author of Em and the Big Hoom, winner of the 2016 Windham–Campbell Literature Prize

“A book of magical and spiritual visions that awakens the reader’s sense of wholly other realities through the ancient and potent art of mythic storytelling. Read, dream, and be moved beyond the outer imprisonments of our time.” R. J. Stewart, poet and author of The Underworld Initiation

“Includes tears from Isis after Osiris’s murder, tears of Adam and Eve, and tears of Avalokitesvara among the many vessels of wisdom in this book. It etches more than sixty episodes marking spiritual heroes and heroines across time and space, from Persia to India to Egypt, with a glossary to help navigate the lofty tales and apt poems that grace its pages.” Bruce B. Lawrence, Professor Emeritus of Islamic Studies at Duke University

MYSTICISM/SUFISM

"A breathtaking, fresh, and ancient mystical biography of the world. A hypnotic weave of words and images leads us to that twilight place where history meets mystery, and tale meets truth. A tour de force where words find their place on the page with sacred inevitability."
–Arundhathi Subramaniam, poet and author of When God Is a Traveller

"A truly remarkable book of angelic magic unlike any other. Transcending cultures and time periods, it should be read byanyone on the quest for truth."
–John and Caitlin Matthews, authors of The Lost Book of the Grail

"A deep dive into a history of the world that seems more real than the received histories of victors, of ideologues and politicians. These are stories amplified by art; this is art responding to the depths of our common heritage. This book reminds us: we were stories before we came here, we are now acting out our stories, and we will be stories when we are gone. This one is to be read again and again, for each reading will bring new meanings and new illuminations."
–Jerry Pinto, poet and author of Em and the Big Hoom, winner of the 2016 Windham–Campbell Literature Prize

"A book of magical and spiritual visions that awakens the reader’s sense of wholly other realities through the ancient and potent art of mythic storytelling. Read, dream, and be moved beyond the outer imprisonments of our time."
–R. J. Stewart, poet and author of The Underworld Initiation

In this globe-spanning chronicle, Pir Zia Inayat Khan, leader of the Inayatiyya, sets forth an astonishing sequence of legends revealing little-known connections between ancient cultures and spiritual lineages.

Framed as a dialogue between the Iranianepic poet Firdausi and his tutelary daimon, this novella follows the tradition of medieval Persian belles-lettres in which prose passages are punctuated with metered verses. The daimon reveals to the hitherto depressed poet the inner history of the world as reflected in the missions of a succession of sages moving through Earth’s lands and ages. Readers will learn of the creation of the universe, the war of the angels and the jinns, the exile of Adam and Eve, and the deeds of Melchizedek and Enoch. They will also explore the rise of the Nephilim, the advent of ancient civilizations, the origins of the Abrahamic faiths, and the history of the Grail and Emerald Tablet. Beautiful paintings by Amruta Patil bring the legends to life.

The cumulative effect of the traditions synthesized here is a resacralization of the human experience across time, space, and cultures, achieved through an unexpected marriage of myth and history.

Pir Zia Inayat Khan, Ph.D., is the leader of the Inayatiyya, a Sufi fellowship rooted in the mystical legacy of his grandfather, Hazrat Inayat Khan. He is the author of Mingled Waters: Sufism and the Mystical Unity of Religions and Immortality: A Traveler’s Guide.

Amruta Patil is a writer, painter, and India’s first female graphic novelist. She is the author of Kari, the Mahabharata-themed Adi Parva and Sauptik, and the Vedic ecofeminist parable Aranyaka.

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